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Beyerdynamic DT 660 Edition – razor-sharp
DT 660 Edition under test
www.media-mixture.de, 09.12.2011, Author: Tamay Jentjens

(In extracts. Translated from German to English.)

[...] razor-sharp precision and straight-forwardness in the treble, mids and upper bass. I was really surprised to recognize some scratches or even distortions in my well-known test files in an absolutely clear and starkly way. Even some studio monitors for multiple price are not as precise as the DT 660 is. [...]

True sound
DT 880 Edition
theheadphonereview.com, 06/2010
DT 880 Edition

"They’re the most comfortable headphones I’ve ever used, the sound is crystal clear, and their design makes me proud to show them off to people who like to brag about their electronics." [...]
"True sound definition and phenomenal bass response."[...]

Very comfortable
DT 880 Edition
mp3earbuds.net, 07/2010
DT 880 Edition

"[...] making everything from rock music to country sound rich and immersive. The DT 880 headphones are also very comfortable during long listening sessions [...]"

Crystal sound
DT 880 Edition
londasblog, 08/2010
DT 880 Edition

"The high frequencies sound crystal clear without ever coming across as unpleasant, the balanced mids sound analytical and strong, and the bass is voluminous without being too obtrusive." [...]

Clarity and comfort
DT 880 Edition
macimpro.com, 10/2010
DT 880 Edition

"The clarity of sound and images are striking."
"The comfort of these headphones can not be beaten."[...]

A haadphone with a caliber
DT 880 Edition
bestnewheadphones.info, 10/2010
DT 880 Edition

"If you’re unfamiliar with headphones of this caliber, you will discover new things in music that you had never heard before."[...]

A headphone with a powerful, lifelike sound
DT 860 Edition
DT 860 Edition

"An open-back headphone that delivers a powerful, lifelike sound, the Beyerdynamic DT 860s are ideal for listening to music at home or on the road."
"As a result, listeners can enjoy the sensation of actually being at the jazz concert or listening in on a classical recording session."
"For comfort and portability, this headphone is a great asset to those who love excellent sound quality and comfort rolled in one. So definitely take the extra step to try out a pair for yourself. I’m sure in no time you’ll see that this Headphone will be the perfect choice for you."[...]

Detailed audio reproduction
DT 660 Edition
gpspublicize.info, 06/2010
DT 660 Edition

"[...] the beyerdynamic DT 660 attenuates ambient noise so effectively that outside distractions are almost completely blocked out."
"[...] the DT 660's extremely strong neodymium magnet system offers a detailed audio reproduction and powerful bass response [...]"
"And as a bonus, the headphones fold up into a compact footprint, making them easy to store and transport."

Powerful bass response
DT 660 Edition
resume-services, 06/2010
DT 660 Edition

"Closed-style headphone with detailed audio reproduction and powerful bass response"[...]

Comfortable headphone
DT 131 TV
headphoneforTV.com, 06/2010
DT 131 TV


"The beyerdynamic DT 131 TV headphone is a lightweight and comfortable headphone with an open-back design.
It can be connected to all TV sets via the 16-foot cable with an adjustable volume control and mono/stereo switch to provide a balanced, transparent sound."[...]

True high-fidelity performance
DT 131 TV
chamberdnauti, 07/2010
DT 131 TV

"The DT 131 TV brings true high-fidelity performance in a lightweight design [...]"

Terrific comfort
DT 131 TV
portablestereospeakers, 08/2010
DT 131 TV

"The single-sided cable and soft replaceable ear pads make for excellent comfort and style."[...]

Terrific earpad headphone
DT 235
TechWikiBeta, 06/2010
DT 235

[...]"Don't let the straight-forward looks fool you, this is one terrific earpad headphone."
"[...] good isolation and impressively well-balanced sound quality. Solid bass with a seamless response across the audio spectrum [...]"

Good comfort
DT 235
audio-headphone.com, 06/2010
Dt 235

[...] "At this price point, these might be my favorite headphones. Great sound, good comfort."
"They have made a real beyerdynamic fan out of me." [...]

Best entry-level sealed headphones
DT 235
Entrepreneur, 08/2010
DT 235

"Best entry-level sealed headphones"
"This surprisingly comfortable set will drive out the drone of your next business flight, without the need for finicky or pricey active noise-reduction technology. Great sound at a great price."[...]

A great companion
DTX 60
ear-bud-headphone.com, 07/2010
DTX 60

"The new DTX 60 is a great companion for all in ear applications."
"Good sound and extraordinary durability at a budget price is the strength of this headphone."[...]

For comfort and portability
DTX 60
ear-bud-headphone.com, 09/2010
DTX 60

"For comfort and portability, this headphone is a great asset to those who love excellent sound quality and comfort rolled in one. So definitely take the extra step to try out a pair for yourself. I’m sure in no time you’ll see that this Headphone will be the perfect choice for you."[...]

The silence impresses...
A 1
sennheisernoisecancellingheadphones.net, 06/2010
A 1

"Against its rivals, who often seek a mellifluous, valve-like sound, the Beyerdynamic A1 has studio-like neutrality as its design concept."
"It’s not just the sound the A1 makes that impresses; it’s also the silence. Given a suitable recording, this headphone amp recreates inky depths of silence that’s the preserve of the very best amplification."
"Whatever the price of headphone, the A1 seems to extract the very best from it in terms of separation and ultimate width of sound."[...]

Much capability
A 1
AVguide.com, Playback 32, 06/2010
A 1

"[...] the A1 seems to have as much or more output capability than any amp we’ve had around [...]"
"[...] the A1 has a sense of dynamic ease that is consistent with the observation that it drives all sorts of headphones easily."
"If high output impedance works for your headphones, and you yearn for a lively but not edgy sound, I think you’d really enjoy the A1." [...]

The beautifully design
T 50p
insipifundas.blogspot.com, 08/2010
T 50p

"The award goes to Beyerdynamic T 50 p for its hi-fi listening on the go experience. The beautifully handcrafted, retro design results in headphones that are so comfortable you can spend long hours relaxing and listening to music without discomfort." [...]

....super cool loking
T 50p
headfonia.com, 07/2010
T 50p

"[...] super cool looking Beyer T 50 p portable headphone."
"The build quality is really awesome... The design is very modern [...]"

It's awesome...
T 50p
headphiles.org, 08/2010
T 50p


"The brushed metal feel is awesome..."

Its simple elegance
T 50p
searchwarp.com, 09/2010
T 50p

"The design of the Beyer Dynamic T 50 p convinces - not only with its simple elegance, but also with high comfort and good attenuation of ambient noise." [...]

T 50p is exceptional
T 50p
compudio.ca, 09/2010
T 50p

"The build quality of the T50P is exceptional."  [...]

The best headphone
T 50p
articledashboard.com, 09/2010
T 50p

"The Beyer Dynamic T 50 p is the best headphones on the go." [...]

Fun headphone
T 5p
head-fi.org, 08/2010
T 5p

"That's when I can tell I am really enjoying a listening session when the music sucks me in to the point where emotion takes over. These are fun headphones my friends."

Fidelity headphone
T 5p
moon-audio.com, 08/2010
T 5p in the soft case

"The T 5 p offers you a world class high fidelity headphone..."

Satisfying volume levels
T 5p
AVguide.com, Playback, 10/2010
T 5p

"I plugged the T 5p into my iPhone to give it test spin, and found the iPhone was able drive it to quite satisfying volume levels with ease."

World class headphone
T 1
headphone.com, 02/2010
T 1

"All-in-all, the T 1 is a world class headphone. Beyerdynamic has outdone themselves, and I’m completely blown away."

Mercedes-Benz of headphones
T 1
CNET News, 06/2010
T 1

"Beyerdynamic T 1: Mercedes-Benz of headphones"

Detail and imaging
T 1
headfonia.com, 07/2010
T 1

"Detail and imaging are top notch, as well as musicality."

Five star performer
T 1
head-fi.org, 07/2010
T 1

"Very highly recommended and a true Five star performer."

Deep into the music
T 1
head-fi.org, 10/2010
T 1

"With this headphone you can hear a lot of things you may have never heard before, such as footsteps, raindrops, and even whispering." [...]
"Man oh man these cans can reach deep into the music. They are so transparent that you can hear nearly everything that's there."

Headphone Amp A1
A1
www.whathifi.com, 09/2011
A 1

[…] "This beyerdynamic is our high-end headphone amp of choice. It’s beautifully made and can switch between two line-level inputs at the press of a button. The A1’s sound quality is deeply impressive, combining insight and refinement". […]

Reviews: best for sound per rand
DTX 101 iE
www.whathifi.com, 09/2011
dtx 101 iE in black

[…] An accomplished all-arounder at a very affordable price – if you’re on a budget, these should be on your must-listen list. [...]

Reviews: best for sound
T 50p
www.whathifi.com, 09/2011
T 50p
Five-star-Logo WhatHiFi

[…] stylish, light and confortable; detailed and well intergrated right trough the frequency range; fluid but punchy; crucking dynamics. […]

 

Perfect noise reduction
HS 800
Aviation et Pilote (France) no. 448 May 2011, author: Emmanuel Davidson
HS 800

[..] “The system of noise reduction has been dramatically improved (…) it is almost perfect !” [...]

beyerdynamic DT 1350 Professional Headphones
DT 1350 Headphones
ProAudio Review, issue 06/11, editor Tony Ware

In extracts:

 

[...] The DT 1350, rated at 5 - 30,000 Hz, is anchored with low end that's impressively assertive for its size, kept proportionate with treble extension that's not peaky and controlled, slightly forward midrange. This direct but not brightened presentation has just a touch more perceivable clarity in the intimate lower mids, which comes across as delivering less liquidity but imparts a presence that cuts through high-volume environments. Even competing with a noise threshold, as it did when I DJ'ed a country club gig, directly flanked by two dual 15-inch JBL cabinets and a dedicated sub, the Tesla architecture skillfully assures a detail-oriented soundstage that never feels fatiguing or that it's straining for accuracy. [...]

 

 

The Awesome Beyerdynamic DT 1350
DT 1350
Inner Fidelity
US, June 2011

Summary
I think I'll throw in a couple of quotes from others on Head-Fi:

    "The DT 1350 buries and puts the nail on the coffin on all of my former headphones." - Dyn4m1c95

    "These are truly the perfect portables." - Dyn4m1c95

    "They're like the headphone equivalent of a great small loudspeaker." - Beagle

And my comment in the thread:

    "Spoiler: They're the best supra-aural, sealed headphones I've heard. Maybe I'll just post that." - Tyll Hertsens

Indeed, it's very hard not to just post: Buy the DT 1350, they are full of win in every possible way. I more than strongly recommend them; I think if you're interested in headphones you should do everything within the law to get your hands on a pair to permanently add to your collection. These are the new standard for portable earpad headphones, and I suspect they'll hold that chair for a long, long time. They have my highest possible recommendation.

Tyll Hertsens

More under: http://www.innerfidelity.com/content/awesome-beyerdynamic-dt-1350

REVIEW: Beyerdynamic DT 1350 DJ Headphones
DT 1350
skratchworx.com
UK, March 2011

skratchworx.com
UK, March 2011

REVIEW: Beyerdynamic DT 1350 DJ Headphones

Mark Settle on the DT 1350:

"Hype: Pretty much everything
Gripe: Obviously price, but if pushed I'd say not as bassy as regular DJ headphones, the relatively small fit and the potential lack of longevity of the headband cushions."

New gear
HS 400 Signum/ HS 400 Rotor
Pilot, Oktober 2010, author: Dan Tye

beyerdynamic unveils two new headsets, one
for fixed-wing pilots and one for rotary pilots

[...] This new HS400 retains the distinctive ‘beyerdynamic look’ and it’s great to see a company start to think about helicopter pilots; a version of the HS400 called the Rotor is available, this version having a coiled cable and a single U-174/U jack plug. The fixed-wing version is called the Signum. Whilst this new model doesn’t have electronic noise cancelling, it does have improvements based from feedback online polls and market research at exhibitions the company’s staff have attended. beyerdynamic has also ran week-long flight tours over the past three years where first-hand contact with pilots has helped them listen to what they want from a headset. So what is the main improvement? beyerdynamic says, “Our customers requested a smaller audio box than the old HS300 to connect a music player, mobile phone or iPhone. So the new audio box on the HS400 comes with two volume controls (one for each earcup) and an LED to display the remaining capacity of the two AA batteries or rechargeable batteries. “We’ve also improved the comfort of the earcups by using the softer viscoelastic filling from our top-of-therange model, the HS 600 DANR, in this”. [...]

More details about HS 400 Signum/Rotor

Round-up: 15 pairs of headphones for musicians
DT 100 & DT 990 PRO
musicradar.com
UK, September 2010

musicradar.com
UK, September 2010

Cans for mixing, listening, recording and DJing

Declan McGlynn on the DT 100 and DT 990 PRO:

DT 100:
"They might not be too pleasant to listen to, but they deliver incredibly accurate sound reproduction, warts and all." 

DT 990 PRO:
"They are bright but not harsch, thick but not cloudy, warm but also sincere, and in terms of comfort they are a joy to wear for long periods."

New Aviation Headset HS 400 Signum / HS 400 Rotor
HS 400 Signum/ HS 400 Rotor
LOOP Magazine UK www.loop.aero, September 2010, author: Phil O’Conoghue

The ear pads are made from viscoelastic material covered with very soft leatherette.[...]
Clean, precise and handmade.[...]

Out with the old in with the new

In an exclusive first European test, LOOP’s testing expert Phil O’Donoghue gets his hands on the brand new Beyerdynamic HS400 Signum, the German-based company’s latest passive headset.


T he  H S 4 0 0 at a glance

+ Ear pads with extra soft leatherette cover and viscoelastic filling

+ Automatic volume reduction of phone or music player when signals from the intercom occur (selectable function)

+ Mono/stereo selection switch+ Noise-compensated microphone with adjustable gain

+ Integrated volume control+ Rugged headband design made of spring steel with soft, replaceable headband pad

+ Modular construction for easy servicing+ Five-year warranty+ Weight: 325g (without cable)


What's in the box

+ HS400 Signum+ Padded case

+ Wind shield for microphone

+ Connecting cables for mobile phones (including iPhone)

+ Connecting cable for portable music players such as CD or MP3 players


The world of aviation moves quickly, but one part that seems to move faster than most is headsets. With so many manufacturers around, it seems hard to know just what the latest and greatest products are.

There’s the world of ANR, where headsets are expensive but come with the latest innovations in controlling sound. Then, there are passive headsets where the prices are greatly reduced due to the use of less intuitive technology. That’s not to say that a passive headset can’t combine a smaller price tag with all the extra features of an ANR headset. That’s how Beyerdynamic sees it and the company has tried to combine the best of both with its brand new headset. The new HS400 Signum headset is an update to the company’s popular HS300 passive noise reduction model. When we tested the HS300 a couple of years back, we were quite impressed overall, but we did have a grumble about the bulky audio box used to interface a phone or music player. This aspect of the headset has been improved, with the HS400 now featuring a smaller and neater audio box.

The audio box also accommodates the two AA batteries that are required to power the auxiliary audio input interface, dual Left/Right volume control sliders, an LED to indicate when the audio interface is powered on, and a second LED
to show the status of the auto mute function. The power-on LED also doubles as a battery capacity indicator by changing from steady to fl ashing when about
20 hours of battery life remain. Battery power is only required for operation of the auxiliary audio interface, and not for the basic headset function. Sadly, neither the audio box nor the headset lead comes with a clip to secure them out of the way in the cockpit.


What is surprising about the HS 400 is that the passive noise attenuation is excellent

The HS400 features large circular ear cups that completely enclose the ears. The ear pads are made from viscoelastic material covered with very soft leatherette. We’ve found this design to provide a good seal around the ears, even while wearing spectacles. The headband is made from lightweight spring steel and is covered with a removable headband pad. The clamping force is quite low in comparison with many headsets. Coupled with a weight of just 325g, the overall result is a very good level of comfort, even when wearing the headset for extended periods. It’s not a surprise that a light headset with gentle headband clamping should be comfortable, but what is surprising about the HS400 is that notwithstanding the comfort, the passive noise attenuation is excellent – as good as any passive headset we’ve used.

The HS 400 Signum really comes into when music is played through the auxiliary input

The HS400 features an electret mic with adjustable gain, mounted on a fl exible boom that’s easy to position and can be rotated to allow the mic to be placed on the left or right side of the mouth. The clarity of speech through the headset is good, but the HS400 really comes into its own when music is played through
the auxiliary input. We used an iPod for music input and found the sound quality to be outstanding.

Automatic muting of the auxiliary input is controlled using a switch conveniently located on the front of the audio box. When enabled, the muting feature automatically drops the volume of the external device by 90% when there is an incoming nav, comm, or intercom signal. After a couple of seconds of silence on the intercom or radios, the auxiliary audio gradually  returns to 100% of the set volume.

The HS400 looks smart, modern and  compact, and is very nicely constructed. It comes with a high-quality nylon case, cables for connecting a phone or music player, and a fi ve-year warranty. The HS400 is also available on Beyerdynamic’s Manufaktor facility, where the purchaser can customise the headset to the style they want at no extra cost – there is a range of colours, materials and even personalised engraving.
www.beyerdynamic.com

More details about HS 400 Signum/Rotor

Studio Headphones
Product Review
Sound On Sound Magazine, UK, January 2010

Whether recording or mixing, which set of headphones will work for you? We compare a selection of the best models. Every week, someone on the SOS forums starts a thread asking “which headphones are the best for recording and mixing?” but the answer isn’t simple. There are two broad design categories, open-back and closed-back, and each has advantages and disadvantages. When tracking, for example, closed-back phones are the only viable option, because of the need to prevent monitoring spill reaching the mics, and external noise affecting the perceived monitor signal.

Years ago, closed-back phones tended to sound coloured (‘boxy’) and pretty dreadful, but were fine for cue feeds and checking that a recording was being made. Mixing was performed with open-back cans, which still tend to sound far more open and natural, especially at the high end. The technology of closed-back phones has moved on, though, and many are now quite usable for mixing if necessary, although our preference is still for open-backed designs where feasible. Before we consider each model in detail, then, think about what you need from your cans, and what compromises you’ll find acceptable.


The Tests


We invited manufacturers to send models they thought suitable for mixing, mastering or location recording and received a selection of closed-back and open-back designs. We also added models we already owned to that list. Specifications are all well and good, but the acid test of any monitoring system is how easy it is to use, and how good the results, so what follows are our impressions of each model, taking the manufacturers in alphabetical order.

Excerpt: For the complete article please visit www.soundonsound.com


One of The Best: beyerdynamic DT 880 PRO


"Although only semi-open, these exclude a reasonable amount of ambient sound. I wouldn’t choose them for working in a noisy environment or location recording, but they’d be fine for studio mixing. Average sensitivity allows working levels to be achieved with plenty of range either way. EQ decisions made with these seem to translate well to speakers. The sound can tend towards hard when loud, but I suspect this is simply a reflection of the absence of any significant mid-scooping. Bass is not hyped at all, making them seem almost bass-light when A/B’ing against some others, but I find their smoothly extended LF to be a more accurate representation of what’s really there. They’re also exceptionally comfortable and stable on the head, when properly adjusted, which helps to make them easy to work with for extended periods. My all-round favourite headphone for mixing." Dave Lockwood

"This semi-open design apparently incorporates an innovative bass reflex loading. These phones give poor isolation, but are very comfortable to wear thanks to the circumaural verlour earpieces. The least sensitive of the group, the require more drive than the others, placing greater demands on the quality and the capability of the headphone amp. Performance is on a par with Sennheiser HD 600, but with a slightly fuller bottom end and more natural and accurate top end than beyerdynamic’s own DT 770s. Excellent dynamics and resolution. These are Beyer’s best-kept secret!" Hugh Robjohns

"You get firm head pressure and a nice solid fit, but you not appreciate that after a heavy night! The circumaural earpads fitted my ears without cramping, but there may not be quite enough space for some. The open-back design make these less suitable for overdubbing. Tonally, you get the same kind of slightly mellow highs as on the HD 650’s, and while this avoids fatigue it’s by no means lacking fine detail: you’re made perfectly aware of early-onset distortion or excessive sibilance, without them simultaneously chewing your ears off. The mid-range frequency balance seems very true, with tonality differences between different mixes and spoken-word recordings shining out, and balances feeling sold and dependable. The bass is cooler than from the HD 650’s, and while this might seem less ‘nice’ on first listen, I found it a fraction more extended, realistic and neutral, which meant that these phones presented a gentler learning curve. For me, the DT 880s are the top of the three: they’re not quite as subjectively engaging as the Sennheiser HD 650s on a musical level, but are the closest I've got to forgetting that I’m listening on headphones! If I didn’t already own a pair of HD 650s, the DT 880s would be a no-brainer purchase." Mike Senior.


Winner, Mid-Price All-Rounder: beyerdynamic DT 770 PRO, 80 Ohms


"Supplied with a large, padded case, these are very comfortable and stable to wear for long periods, and offer moderate isolation of external sounds. They’re the same sensitivity as the DT 250s and offer a very well-balanced sound spectrum, with extended bass. The top end’s not as open as some models, but isn’t bad. These would be fine for tracking and good for mixing, but you’ll need to become familiar with them before you stop making the high end too strong." Hugh Robjohns

"The comfortable DT 770s offer a solid, punchy sound, with a good balance of detail and smoothness. I use these myself for tracking and for ‘second option mixing’." Paul White

"This closed-back design has a secure, comfortable circumaural fit, with good isolation and spill stoppage. The tone feels quite balanced, but with an upper mid-range hardness, emphasised at higher volumes, which I found slightly fatiguing – so be careful to maintain a fairly consistent monitoring level if you are going to use these as a mixing reference. The low end goes down a long way, and although not quite as tuneful as some open-backed models, nevertheless presents a pretty trustworthy balance. The low bass balance varied considerably depending on the exact coupling of the earpads with the side of the head, so be aware of this when you’re working. I preferred the low end of these phones over the similarly priced MDR 7509s from Sony, but the latter outgun the beyerdynamics when it comes to picking apart the upper regions of the mix – so it’s tricky to say which will give you the best mix. If I had to choose, I’d go for the DT 770, because it gives you a better balance, albeit at the expense of slightly less reliable overall audio-quality judgements." Mike Senior


beyerdynamic DT 150


"This classic closed-back design mimics the company’s industry-standard DT 100. While this means easy field servicing, excellent spill stoppage and good isolation. I’ve always found DT 100s a bit heavy and struggled to find a fit that feels secure. The DT 150s combination of thick, warm tonality and softened transients is tailored for overdubbing purposes, where it significantly reduces fatigue at high listening volumes. They don’t really cut it for mixing, where the lack of detail and overblown, pillow-like bass militate against useful balance or EQ decisions, and I can’t recommend the DT 150s in that role, given the competition." Mike Senior  


beyerdynamic DT 250


"The DT 250s are comfortable, stable and very robust, and offer a moderate isolation from external sound. Slightly less sensitive than the AKG K 702, they’re also mildly coloured and veiled through the mid-range, with limited bass extension and squashed dynamics. They’re great for tracking in areas of heavy use, but not recommended for mixing because of mid-range colouration and dynamic compression." Hugh Robjohns

These are versatile phones that offer a decent tonal balance, albeit with a slightly scooped mid-range, and I like the non-fatiguing high end: a solid studio workhorse for tracking or routine mix checking." Paul White

"I found the DT 250s comfortable and secure. Quite bright, though not unworkably so, they give a fairly good representation of mix details and balance." Sam Inglis

"I’d rather use a pair of DT 250s than the classic DT 100 in most cases. Lighter and with a more secure fit, they provide a clearer, though still warm, tone, with better-controlled bass – but they retain the good rejection of outside noise and control over leakage. Higher listening levels make things sibilant and fatiguing compared with the DT 150s, and you lose most of the field-servicing possibilities. These are much more useful for mixing, though, because despite an initially misleading low mid-range prominence, the bass is quite well extended and clean, so you can make useful balance judgements. You lose some ground to the AKG K240 Mk II in terms of laying bare mix details and dissecting layered sounds, but the DT 250s represent a better all-round choice if you need headphones both for overdubbing and mixing." Mike Senior

DT 880 PRO
DT 770 PRO
DT 150
DT 250
Headphones Beyerdynamic T1
T1
www.hifistatement.net, 11/23/2009, author: Reinholf Martin

(In extracts. For the complete test please go to www.hifistatement.net)

[...] For me, the brand new T1 are exceptional headphones and easy to get addicted to. They easily reveal the limitations of most loudspeakers and their listening rooms. Anyone who wants to see what is sonically possible with today’s headphones as well as anyone who wants to explore the tonal potential of high resolution, digital software simply can not pass by Beyerdynamic’s flagship headphones, the T1. Very highly recommended. [...]

beyerdynamic up the anti
HS 600 DANR
Loop 1/2009, author: Phil O'Colongue



...brings new technology to noise reduction.
Modern looks matched by modern performance, and light weight means great comfort.

German firm's new range-topper brings new technology to noise reduction.

We get the first test to see how it rates.
Phil O'Colongue

The HS600 DANR is the new top-of-the-range aviation headset from beyerdynamic. It is an active noise reduction headset featuring micro-processor control of the noise attenuating signal, in contrast to the analogue system used in most other aviation ANR headsets. Beyerdynamic call this innovation Digital Adaptive Noise Reduction (DANR). The claimed benefi ts include noise attenuation over a wider frequency range and better response to changing noise levels. The HS600 is very nicely constructed and looks modern and smart. When we reviewed the HS300 passive headset last year, we weren’t too keen on the ‘leatherette’ covering on the headband pad, so we’re pleased to see that the HS600 has a nice soft leather pad. The headband padding itself looks a bit thin, but proved to be completely effective. The earpads are large and circular, and made of a visco-elastic material covered with more soft leather. Beyerdynamic have put all the electronics into the control box, rather than the earcup, which makes the control box a bit bigger than some other ANR headsets, but the advantage is that the weight carried on your head is less. The result is that the HS600, not including the cable and control box, weighs about 330g, lighter than the Bose X. The lightweight construction and excellent padding add up to make it one of the most comfortable headsets that we’ve come across. Electronics monitor ambient noise and if the level is below a threshold the unit remains in standby mode, indicated by a flashing yellow LED. The DANR only activates when noise rises above the threshold so don’t be surprised if you can’t hear any difference in noise attenuation when you switch on the unit on the ground – you need engine noise to hear the effect. Our testing in the air included back-to-back comparison with a Bose X. The view of several that tried both was that the overall noise reduction of the HS600 was very good, but not quite on a par with the Bose. On the other hand, some thought the beyerdynamic was better in terms of comfort. The control box on the HS600 includes an interface for a music player or a mobile phone. We tested this using an iPod and were delighted with the sound quality. There is a mute function that reduces the volume of the auxiliary input by 90% whenever any R/T or intercom signals are received. The volume then returns to normal level after 4 seconds. This mute function can be disabled using a small switch inside the battery compartment. The control box also houses the two AA batteries, which will provide between 15 and 25 hours of use, depending on ambient noise levels. Alternatively, a 3-pin XLR socket and connecting cable are included with the HS600 to allow the aircraft’s electrical power to be used. The HS600 package also includes connecting leads for both a music player and a mobile phone, a good quality padded case, and even a tiny screwdriver for adjusting the microphone gain. In conclusion the HS600 gets four stars. Noise cancelling is not quite as good as the Bose or Zulu, but it's very light and comfortable, and has great sound quality. The headset can be tested and purchased at Flightstore (www.fl ightstore.co.uk), Pooley`s Flight Equipment (www.pooleys.com) and the flying shop (www.flyingshop.com).

Details about HS600 DANR:

+ Noise attenuation of approx. 40 dB due to Digital
Adaptive Noise Reduction
+ Software version 2.0 with Noise Peak Reduction and
broadband reduction
+ Audio box with integrated volume control provides
connection for mobile phones or music players (supplied
with two connection cables)
+ Automatic reduction of telephone and music volume
(mute) when intercom signals are received (function can
be switched off)
+ Powered by two AA batteries inserted in the audio box
with a minimum operating time of 25 hours or by the
on-board power supply system (12 - 36 V DC) when using
the supplied 3-pin XLR cable (delivery includes
appropriate jack)
+ Automatic switch-off function
+ Good comfort due to light weight (approx. 325 g
without cable) and low headband pressure (approx. 6.5N)
+ Premium ear pads fi lled with viscoelastic foam
+ Noise-compensated microphone with adjustable gain,
which can be worn on the left or right hand side
+ Made in Germany with a fi ve-year warranty
+ Balanced sound and high reproduction precision for
excellent intelligibility of speech
+ Mono/stereo selection switch
+ Rugged headband construction made of spring steel
and replaceable headband pad made of soft leather
+ Easy servicing as all parts are replaceable
+ Supplied with headset bag.

More details about HS 600 DANR at www.beyerdynamic.de

Here the online test report:

http://www.loop.aero/Flightgear-45/973/BEYERDYNAMIC+HS+600+DANR.aspx